Early in this project, Frank Gehry taught me about the importance of CONTEXT in designing an iconic structure, and how design is all but impossible independent of the building's context. He is excited about the possibility of a waterfront site for Trinity Spire, using as an example the way that water and bridge were so important to the design of the Bilbao Guggenheim. I can't wait to see that work in a few weeks.
These two buildings are a great example of context, because they serve as architectural context for each other. More on that in a moment.
Jean Nouvel's Design for Living |
A Klee painting and a Fuller dome:
Flora by Paul Klee and Bucky's Domes |
Frank Gehry's IAC Building occupies the same part of Chelsea, and stands right next to the newer Nouvel Building.
The IAC building is a great example of Gehry's work, with a pattern of white dots of various densities creating the illusion of frosted glass, and the sail-like waves in the front of the building creating the illusion of billowing canvas sails filled with wind:
The two make quite a pair:
This may be my favorite shot reinforcing the lesson of context - in it, Nouvel's building is reflected in the face of Gehry's, creating a unique in the world effect of Nouvel By Gehry. Wow.
"Nouvel by Gehry" :) |
We can only aspire to have the context of Trinity Spire work so magically.
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